Zounds what sounds: thrilling news about the soundtrack!

Finally, I can spill the beans … I’m really excited to announce that a new tune by Royale will be featured on the soundtrack of Pause of the Clock.

It was one of those serendipitous moments when you’re surfing around online and randomly stumble across something that turns out to be great. I first heard their music sometime last year. I think I was on Soundcloud. They had tagged one of their tracks “Progressive Sci-Fi Yacht Metal.” Well, I thought, that sounds pretty interesting. So I hit play. The track was “1981,” which I immediately downloaded and has been on heavy rotation ever since.

I checked out more of their stuff and quickly discovered that, like myself, they hail from Chicago. Pretty cool. Earlier this year they successfully mounted a Kickstarter campaign to put out their first proper album, which will be released in December. (And as one of the project’s funders, I can’t wait!)

Back in May, when I started editing the movie, I had only two definite ideas about music for the soundtrack. More about those in a later post. Beyond that I just wanted to wait and let the footage speak to me. Coincidentally, around the same time I was assembling my first cut, Royale debuted a new track called “Inland Sea,” about Lake Michigan. Somewhere between looking at all my footage over and over, and listening to that song over and over, they started to melt together.  So about a month ago I got in touch with the band, floated the idea, yada yada, “Inland Sea” is going to be in the movie.

Check it out!

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3 things about Don Siegel’s ESCAPE FROM ALCATRAZ

Escape from Alcatraz [1979]

1. Shave once a day, two showers a week, a haircut every month.
2. Pet mouse as message delivery vehicle.
3. Raincoats and contact cement.

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3 things about Harold Schuster’s THE GREAT ADVENTURE

The Great Adventure [1955]

1. A turkey roasting on an electric rotisserie.
2. A Scottish Canadian and an Australian do the Highland Fling.
3. “I just got a wild idea.” He looks around, as if for an eavesdropper.

This 30-minute film, produced by Rotary International in 1955 to celebrate their 50th anniversary, is surely one of the most obscure roles in the filmography of Jim Backus. He plays a guy who owns a music store “down on Main Street” who happens to drop by a backyard gathering, whereupon he learns what Rotary is all about. Interestingly, despite being known primarily as a comedic actor, here he plays a straight role–just like he does in Rebel Without a Cause, also from 1955.

Edward Arnold and Lyle Talbot (!) also have roles in The Great Adventure. Director Schuster directed hundreds of episodes for various TV shows, including Twilight Zone.

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3 things about Hugo Fregonese’s ONE WAY STREET

One Way Street [1950]

1. “Afraid of getting shot?”
“Let’s see if it was worth it.”
They kiss.
2. He puts on the sandals. A look of distaste.
3. A brightly lit drugstore with no employees in sight.

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Prick up your ears.

Some very exciting music-related news for Pause of the Clock … coming soon. Keep your eyes peeled right here.

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3 things about Alfred Hitchcock’s SPELLBOUND

Spellbound [1945]

1. She bites off his mustache.
2. Light under the door.
3. Cutting a ragged path through the drapes of eyes.

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3 things about Peter Strickland’s BERBERIAN SOUND STUDIO

Berberian Sound Studio [2012]

1. Cabbage in a bin of water = drowning witch.
2. Nagra, Nagra, Nagra.
3. Courtesy of dubbing, he suddenly speaks Italian quite well.

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3 things about Julian Jarrold’s THE GIRL

The Girl [2012]

1. Her daughter wakes her up and she immediately starts clawing at the air.
2. Hitchcock in an apron and rubber gloves, doing the dishes.
3. The purse is the brightest yellow in the world. We all want to know what’s inside it.

Nonplussed. Toby Jones and Imelda Staunton are excellent, but Sienna Miller is never able to capture Tippi Hedren’s essence. A big problem. And though the screenplay is both factual and plausible, the movie never makes you feel what was so wonderful about Hitchcock and his films. So the end result is a seriously unbalanced story. But the production design and recreations of Hedren’s wardrobe are spot on, and that stuff is a lot of fun.

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3 things about Michael Winterbottom’s THE TRIP TO ITALY

The Trip to Italy [2014]

1. “She has quite a lovely gait.”
“Probably padlocked.”
2. Kumquats.
3. He points out a bust. “Look at that hair. George Michael, ‘Careless Whisper’ video.”

My only complaint is the scarcity of desserts in the movie.

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The editing principle that guides me.

Paraphrased from a 2000 interview between Walter Murch and Anne V. Coates:

Don’t cut until you have to.

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