A selected inventory of 2021.

By the numbers …

185: feature films I watched in 2021 (14 of which I viewed in a theater)
45: books I read in 2021
25: pizzas we ordered from The Art of Pizza
103: mystery green statistic

Happy New Year!

Posted in Uncategorized | Tagged , | Leave a comment

11 Favorites from 2021

More than most years, in 2021 I found myself quoting Laurie Anderson an awful lot. Probably that was because of the six lectures she presented virtually over the course of the year, courtesy Harvard’s Mahindra Humanities Center; they’re all available via YouTube now and I can’t recommend them highly enough. If I never needed them before, her words of insight and Zen wisdom were sorely needed this year. For example, paraphrasing Sol LeWitt: “If you’re feeling stuck, do your worst work.” I’m afraid this little note must fall into that classification. Aside from my ongoing 3 things project I didn’t write about films very much this year. Mostly, I was content to let films just wash over me, saving up any kind of focused analysis for … what or when, I don’t know. Maybe I’m waiting till it feels easier to have conversations about film again; maybe I’m weary, for the moment, of trading monologs via social media. Though I watched some truly wonderful films this year, both “brand new” and “old,” I really miss going to movies with people and talking about them afterwards. I’m certainly at peace with solo movie-viewing—I just haven’t felt the need as much to set down my thoughts when the movie’s over. I’m counting on 2022 to be different. Until then, as Laurie might say, this is the Time and this is the Record of the Time:

ABOUT ENDLESSNESS (2019, Roy Andersson)
C’MON C’MON (2021, Mike Mills)
MINARI (2020, Lee Isaac Chung)
THE PINE BARRENS (2018, David Scott Kessler)
THE POWER OF THE DOG (2021, Jane Campion)
PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME (2020, Lili Horvát)
QUO VADIS, AIDA? (2020, Jasmila Žbanić)
SHAME (1968, Ingmar Bergman)
SON OF THE WHITE MARE (1981, Marcell Jankovics)
TIME (2020, Garrett Bradley)
WHEEL OF FORTUNE AND FANTASY (2021, Ryusuke Hamaguchi)

Honorable mentions:
COLLECTIVE (2019, Alexander Nanau)
GRASSHOPPERS (2021, Brad Bischoff)
SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, William Greaves)
THE WHELMING SEA (2020, Sean Hanley)

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Walt Disney’s CINDERELLA

Cinderella [1950]

1. Corn kernel stack.
2. A line of disdainful butlers.
3. Does the king have a shoe fetish?

Posted in Uncategorized | Tagged , , , , | Leave a comment

3 things about Ryusuke Hamaguchi’s WHEEL OF FORTUNE AND FANTASY

Wheel of Fortune and Fantasy [2021]

1. “I feel like a defective product.”
2. Blu-ray; VOD is no longer viable.
3. “My own stupidity makes me want to cry.”

Posted in Uncategorized | Tagged , , | Leave a comment

Certainly uncertain.

On Tuesday, December 21 Andy noticed his throat was scratchy. Wednesday morning he woke up and knew at once he was definitely coming down with something, so shortly after 9 o’clock we walked a few blocks to a pop-up COVID testing site on Halsted. There was already a line but it moved pretty quickly, and within 45 minutes both of us had gotten a rapid test and a PCR test. Our rapid tests both came back negative. We were told the PCR test results would be ready in 2-3 days.

By late Thursday, December 23, Andy was feeling better. I still had no symptoms. We talked things over for quite a bit and finally decided to go ahead and host Andy’s father and our friend Chris for Christmas dinner. Which we did. It was a busy day: ferrying Andy’s father to our place on the bus, breakfast, opening gifts, preparing and serving dinner, a board game, dessert, accompanying his father back to his apartment. The afternoon of Christmas Eve I had begun to feel a bit worn down and by Christmas evening I definitely felt rotten. I merely thought that I’d caught Andy’s cold; our rapid results were both negative, and supposedly 80% accurate …

Andy woke up me at 4 o’clock on Sunday, December 26 to tell me he’d gotten an alert on his phone. His test result: positive. My results hadn’t come in. But there was no denying that my symptoms were exactly the same as his had been. A scratchy throat at first, followed by a short spell of chills and fever, a certain tiredness all over, then nasal and chest congestion alongside watery eyes and occasional sneezing.

We immediately isolated ourselves. Not hard to do during the dead week between Christmas and New Year’s. We had plenty of leftovers on hand.

It has now been 7 days since Andy tested positive. He’s nearly back to normal and I’d say I’m about two days behind him. Luckily, neither his father nor our friend Chris have experienced any symptoms. I’ve followed up multiple times with the testing facility, but I still don’t know the results of my PCR test.

I’m very relieved that Andy and I were both double vaccinated, and that we received our booster shots earlier in the month. I can’t imagine how much worst things could have been for us. On Friday night, New Year’s Eve, we plan to order a pizza and binge the original British House of Cards with Ian Richardson. No party for us. But I’ll be happy to celebrate the end of 2021.

Posted in Uncategorized | Tagged | Leave a comment

3 things about Jane Campion’s THE POWER OF THE DOG

The Power of the Dog [2021]

1. Two bodies in one bedroll.
2. Wearing gloves, he carefully coils the rope and sets it on the floor, then pushes it under his bed.
3. She kicks off her shoes and runs after them.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Joe Dante’s GREMLINS 2: THE NEW BATCH

Gremlins 2: The New Batch [1990]

1. Jerry Goldsmith as a frozen yogurt customer.
2. Gremlin on hold.
3. “Incredible as it seems, ladies and gentlemen, after their bizarre, bloodcurdling rampage of destruction, these strange creatures now appear to be mounting what seems to be … a musical number.”

3 other things.

Posted in Uncategorized | Tagged , , , , | Leave a comment

3 things about Walter Lang’s GREENWICH VILLAGE

Greenwich Village [1944]

1. “Would you like to take advantage of me?”
2. Gayish dance interlude.
3. Triple pianists.

3 other things.

Posted in Uncategorized | Tagged , , , | Leave a comment

3 things about Vincente Minnelli’s MEET ME IN ST. LOUIS

Meet Me in St. Louis [1944]

1. Technicolor ketchup.
2.  “If we can create a breathtaking effect, it’ll be simple to monopolize all the worthwhile men.”
3. Outlines on the wallpaper indicate where pictures had been hanging.

3 other things.

Posted in Uncategorized | Tagged , , , , | Leave a comment

3 things about Stanley Kubrick’s THE SHINING

The Shining [1980]

1. “See? It’s okay, he saw it on the television.”
2. She empties an absurdly large can of fruit into a bowl.
3. “It’s not a matter that concerns you, Mr. Torrance. At least not at this point.”

Posted in Uncategorized | Tagged , , , , | Leave a comment