The Shape of Water [2017]
1. He wants to add an extra S to GRAS.
2. “I think it’s some of my best work.”
3. Fingers bouncing across the carpet.
The Shape of Water [2017]
1. He wants to add an extra S to GRAS.
2. “I think it’s some of my best work.”
3. Fingers bouncing across the carpet.
Dune [2021]
1. Grains of spice sparkling in the sand.
2. Hunter-seeker emerging from a tiny hole in the sandworm wall mural.
3. Evil black and yellow goo.
The Conjuring [2013]
1. On the piano, the same three notes.
2. The intake interview is conducted on November 1, All Hallows’ Day.
3. “She’s already gone. And now you’re all going to die.” The look on her face.
Séance on a Wet Afternoon [1964]
1. The group gradually disbands, each member leaving the house without speaking to one another.
2. A crock labelled RAISINS in the kitchen.
3. “Did I do it well?” Echoes of how Sunset Blvd. ends.
All Light, Everywhere [2021]
1. “The eye only sees in each thing that for which it looks, and it only looks for that of which it already has an idea.” — Alphonse Bertillon
2. The plentiful trees and foliage in suburban areas conceal activity from surveillance drones, whereas historically high crime areas offer no such cover.
3. Always a 30-second buffer.
The Amusement Park [1973]
1. “There’s nothing out there.”
2. Kind words while pickpocketing.
3. Chicken in the foreground.
The Amityville Horror [1979]
1. What’s with the blueprint he retrieves from the Town Hall?
2. The house sits atop a massive oil deposit?
3. Why doesn’t he simply use his library card?
The Raven [1935]
1. Poe interpretive dance.
2. “You are saying something profound.”
3. The whole bedroom is an elevator.
Island of Lost Souls [1932]
1. Vegetarian because of the natives.
2. All coming right at you.
3. The mob smashes into a case of surgical instruments and begins the vivisection.