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Tag Archives: 3 things
3 things about Ryusuke Hamaguchi’s WHEEL OF FORTUNE AND FANTASY
Wheel of Fortune and Fantasy [2021] 1. “I feel like a defective product.” 2. Blu-ray; VOD is no longer viable. 3. “My own stupidity makes me want to cry.”
3 things about Jane Campion’s THE POWER OF THE DOG
The Power of the Dog [2021] 1. Two bodies in one bedroll. 2. Wearing gloves, he carefully coils the rope and sets it on the floor, then pushes it under his bed. 3. She kicks off her shoes and runs … Continue reading
3 things about Joe Dante’s GREMLINS 2: THE NEW BATCH
Gremlins 2: The New Batch [1990] 1. Jerry Goldsmith as a frozen yogurt customer. 2. Gremlin on hold. 3. “Incredible as it seems, ladies and gentlemen, after their bizarre, bloodcurdling rampage of destruction, these strange creatures now appear to be … Continue reading
3 things about Walter Lang’s GREENWICH VILLAGE
Greenwich Village [1944] 1. “Would you like to take advantage of me?” 2. Gayish dance interlude. 3. Triple pianists. 3 other things.
3 things about Vincente Minnelli’s MEET ME IN ST. LOUIS
Meet Me in St. Louis [1944] 1. Technicolor ketchup. 2. “If we can create a breathtaking effect, it’ll be simple to monopolize all the worthwhile men.” 3. Outlines on the wallpaper indicate where pictures had been hanging. 3 other things.
3 things about Stanley Kubrick’s THE SHINING
The Shining [1980] 1. “See? It’s okay, he saw it on the television.” 2. She empties an absurdly large can of fruit into a bowl. 3. “It’s not a matter that concerns you, Mr. Torrance. At least not at this … Continue reading
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3 things about Walt Disney’s MELODY TIME
Melody Time [1948] 1. After a kiss, a rapid thaw. 2. Spinning organ. 3. A bustle that bounces.
3 things about Richard Donner’s SCROOGED
Scrooged [1988] 1. Miles Davis. 2. Goosey and blubbery. 3. “I know it’s been … fifteen years, but—”
3 things about John Brahm’s HANGOVER SQUARE
Hangover Square [1945] 1. Madly pounding away at a burning piano. 2. “I can make a few steps go an awful long way.” 3. The mask on her corpse nearly slips off. But no one notices.
3 things about Samuel Fuller’s PICKUP ON SOUTH STREET
Pickup on South Street [1953] 1. “I have to go on making a living so I can die.” 2. Surreptitious microfilm at the New York Public Library. 3. The dumb waiter shaft. The black cat in the garbage room of … Continue reading