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Tag Archives: pause of the clock
About that trailer.
For about a month now, off and on, I’ve been working on putting together a trailer for the movie. And I can tell you that in many ways it’s been tougher than editing the film itself. I can see why … Continue reading
The big three.
The “substance” of the film, i.e. the stuff of which it’s made: at moments it feels almost contemporary, at other moments it’s archaic. But the film itself never “talks” about this. Central relationship: R and D live together, “work” together, … Continue reading
On feedback and criticism.
The feedback that every filmmaker hates and yet needs to hear goes something like this: “Your movie is wonderful! But … what if you rethought the whole project, took a completely different tack and overhauled it?” Whether you (reluctantly) agree … Continue reading
“Diary,” an excerpt from PAUSE OF THE CLOCK
This clip stars Dylan Lorenz and yours truly, and features “No One Dreams Anyway,” music by Kill Hannah. “Diary,” an excerpt from PAUSE OF THE CLOCK from Rob Christopher on Vimeo.
Posted in Uncategorized
Tagged editing, kill hannah, movies, music, pause of the clock
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Zounds what sounds: thrilling news about the soundtrack!
Finally, I can spill the beans … I’m really excited to announce that a new tune by Royale will be featured on the soundtrack of Pause of the Clock. It was one of those serendipitous moments when you’re surfing around … Continue reading
Prick up your ears.
Some very exciting music-related news for Pause of the Clock … coming soon. Keep your eyes peeled right here.
PAUSE OF THE CLOCK is coming.
Thirsty? Patience.
The film & where it’s at.
I’m working on my sixth cut of the film. It’s currently 72 minutes. (If the credits were added, it’d be something like 75 minutes.) The flow of the scenes, the structure is definitely there. There are two transitional moments that … Continue reading
It’s like writing.
As many have pointed out, editing is a lot like writing. I’d go even further and say that it’s also a lot like rewriting, which I guess should be self-evident but is easy to lose sight of when you’re not … Continue reading
Perspective from a distance.
At the risk of sounding incredibly pretentious, when I conceived Pause of the Clock I thought of it a chronology-scrambling way to explore the porous boundaries between “reality” and fiction. 18 years later, as I’m editing the film, I find … Continue reading
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