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Monthly Archives: March 2020
3 things about Andrea Berloff’s THE KITCHEN
The Kitchen [2019] 1. Kicked down the stairs. 2. From behind the closed door, the sound of a gunshot. 3. An empty deli.
3 things about Ruben Östlund’s FORCE MAJEURE
Force Majeure [2014] 1. This one. This one. 2. A family heap on the floor. 3. Why does the ending remind me of the ending of The Discreet Charm of the Bourgeoisie?
3 things about Jonas Alexander Arnby’s SUICIDE TOURIST
Suicide Tourist [2019] 1. “I want a drink that will blow my mind.” 2. Driving range with a view. 3. Scarred arm, healed cuts.
3 things about Robert Altman’s COOKIE’S FORTUNE
Cookie’s Fortune [1999] 1. He gets his out police codebook. 2. “Want a drink?” “Never before Tom Brokaw.” 3. Salome’s dance with a toilet paper roll. Hadn’t seen this since it was first released. What a delight. Just enough plot … Continue reading
3 things about Peter Mackie Burns’s RIALTO
Rialto [2019] 1. “I’ll shame you.” 2. Redundancy. 3. He goes over to him, examines him closely, then leaves the room without saying a word.
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Tagged 3 things, gay, Glasgow Film Festival, Ireland, movies
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3 things about Agnieszka Smoczynska’s THE LURE
The Lure [2015] 1. Donna Summer. 2. A glass with a toothbrush in it. 3. Covered in sea foam.
3 things about Matthew Rankin’s THE TWENTIETH CENTURY
The Twentieth Century [2019] 1. Ski lift as subway. 2. “Canada is just one failed orgasm after another.” 3. The fleshpots of Winnipeg.
3 things about Zach Braff’s GOING IN STYLE
Going in Style [2017] 1. Michael Caine’s American accent. 2. Colombian drug mule. 3. Fake tattoo.