Category Archives: Uncategorized

3 things about David Lynch’s DUNE

Dune [1984] 1. The ducal pug. 2. “Remember, walk without rhythm and you won’t attract the worm.” 3. Snack time. He rips off a chunk of flesh from a dead cow (horse?) suspended upside down from the ceiling. 3 other … Continue reading →

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3 things about Francis Ford Coppola’s APOCALYPSE NOW

Apocalypse Now [1979] 1. The inside of the trailer could be anywhere in America. 2. “I don’t see any method at all, sir.” 3. Neck slice.

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3 things about Lucrecia Martel’s THE HEADLESS WOMAN

The Headless Woman [2008] 1. Two kid-sized handprints on the window. 2. She never says “Please” or “Thank you.” 3. The shirts are all too small. He takes them anyway. 3 other things.

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3 things about John Cassavetes’ A BUNCH OF BANANAS

A Bunch of Bananas [1975] 1. He starts stomping around the room in a rage. She joins in, then takes his hand. They begin an impromptu softshoe dance. 2. “What in God’s green … why in hell didn’t you tell … Continue reading →

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A sample of notes to my colorist.

As I’ve written before, color correction is one of the most important stages of finishing a film. Especially since it’s an art as least as much as a science. Earlier this week I watched a series of tests made my … Continue reading →

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3 things about Fritz Lang’s MINISTRY OF FEAR

Ministry of Fear [1943] 1. Cake crumbs on the seat, on the leg of his pants, on the floor of the train. 2. Seance: a circle. Astrological symbols on the floor like the numbers on a clockface. Dan Duryea’s fallen … Continue reading →

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3 things about Evan Goldberg & Seth Rogen’s THE INTERVIEW

The Interview [2014] 1. “That’s not the first rule of journalism! That’s the first rule of circuses and demolition derbies!” 2. Fake grapefruit. 3. Ten second sex scene.

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3 things about Martin Scorsese’s SHINE A LIGHT

Shine a Light [2008] 1. Marty begs for a set list. 2. “We’re both pretty lousy, but together we’re better than ten other men.” 3. Buddy Guy shows up and shows how it’s done. As someone who’s indifferent to the … Continue reading →

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3 things about Manoel de Oliveira’s BELLE TOUJOURS

Belle Toujours [2006] 1. He notices her, cranes in for a better look. When he’s knows for sure it’s her, he smiles and leans back in his seat. 2. She snaps the box shut and says, “It doesn’t interest me … Continue reading →

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3 things about Budd Boetticher’s THE KILLER IS LOOSE

The Killer Is Loose [1956] 1. “A .357 Magnum? He’s not after me, he’s after elephants!” 2. Cooking under duress. 3. Plaid woman’s raincoat.

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