3 things about Busby Berkeley’s FOR ME AND MY GAL

For Me and My Gal [1942]

1. We know what the telegram says before she does.
2. “Gee, when I think about all the time I wasted. Why didn’t you tell me I was in love with you?”
3. Gene Kelly hand-grenading a nest of Germans.

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3 things about Rian Johnson’s KNIVES OUT

Knives Out [2019]

1. Murder, She Wrote dubbed into Spanish
2. Donuts and holes.
3. Walt’s thumping cane.

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3 things about George Sidney’s THE HARVEY GIRLS

The Harvey Girls [1946]

1. Paris, Illinois.
2. Burning building brawl.
3. Ray Bolger as spinning top.

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3 things about Mel Brooks’ YOUNG FRANKENSTEIN

Young Frankenstein [1974]

1. “You bet your boots it does.”
2. Igor playing the organ, stage left.
3. Wall Street Journal.

3 other things.

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3 things about Freddie Francis’ TALES THAT WITNESS MADNESS

Tales that Witness Madness [1973]

1. Claw scratches in the white paint on the bedroom door.
2. Kim Novak in a Hawaiian muumuu.
3. Jack Hawkins’ voice is obviously (and distractingly) dubbed by Charles Gray throughout his scenes with Donald Pleasance. That means two Blofelds share the screen!

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3 things about Martin Scorsese’s THE IRISHMAN

The Irishman [2019]

1. Watermelon.
2. “It was no more complicated than that.”
3. From the church to the hospital to the graveyard.

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3 things about Billy Wilder’s STALAG 17

Stalag 17 [1953]

1. Delousing for Christmas.
2. Betty Grable on the dancefloor.
3. “I like the odds this time.”

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3 things about James Bridges’ THE PAPER CHASE

The Paper Chase [1973]

1. A birthday cake lit with candles standing on a table in an empty room.
2. No gratuitous female nudity; gratuitous male nudity.
3. He calls him down to the front of the class and gives him a dime.

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3 things about Edward Dmytryk’s WALK ON THE WILD SIDE

Walk on the Wild Side [1962]

1. “Imagine, an innocent person walking–”
“And of course you make your living by walking.”
2. The way she lights her cigarette with infinite laziness and then disdainfully throws away the match.
3. He wheels himself up to Dove and then gut-punches him savagely.

This doesn’t get enough respect. It’s got butch Barbara Stanwyck, Jane Fonda as a good time gal from Paducah, chili cookin’ Anne Baxter, cool/hot Capucine, Saul Bass’ black cat title sequence & Elmer B.’s powerhouse theme. For starters.

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3 things about Howard Hawks’ THE BIG SLEEP

The Big Sleep [1946]

1. Sign at the diner: COUNTRY SAUSAGE TWO EGGS 35¢.
2. “I liked that. I’d like more.”
3. Death in an empty insurance office.

3 other things.

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